ABOUT


A few things that I am interested in:
  1. The differences between the industrially made and the hand made, and the consequences of these two approaches on the environment in which we live.
  2. How my body relates to the physical activity of metalsmithing, the noise, smells, touch and movement of my practice.
  3. How metal responds not just to hammer and fire in a physical sense, but it's ability to communicate  it's responses to the processes of smithing.
  4. Humanity has been in partnership with metal since the beginning of civilisation.  How much has metal shaped our lives?  What would our life be like without it?
  5. Within jewellery making and silversmithing women are now respected and are well represented, though within the field of blacksmithing there seems to be a divide.   Is there a barrier and what is it?
  6. Is the romantic idea of the metalsmith (especially the blacksmith) as the master in his studio or at the forge agonising over his work still relevant today?  Are there ways that I can test this? 
My past work can be viewed on my website.

       

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